Instruments, effects and audio hardware, made in Berlin.
Four plugins, in every major format, on every major platform.
Five modelled keyboards
A tine piano, an electric grand, a reed piano, an acoustic grand and a clav, each built from the mechanism rather than recorded from it. Lean on a note and the colour changes, not just the volume — because the model is doing what the steel does.
| Formats | VST3 · AU · CLAP · Standalone |
|---|---|
| Systems | macOS · Windows · Linux |
| Version | v0.8.0 · 2026-08-26 |
Multi-head tape echo, spring and plate
Four playback heads moving over one piece of tape, with tone shaping inside the feedback loop and nine reverbs after it. Built for dub, and just as happy as a modulated delay, an ambience, or a tape saturator with the delay switched off.
| Formats | VST3 · AU · CLAP · Standalone |
|---|---|
| Systems | macOS · Windows · Linux |
| Version | v0.25.0 · 2026-07-04 |
Polysynth with a patchbay
Five oscillators and seven filter models behind an EMS-style patchbay that rewires the voice itself rather than offering you a routing menu. MPE throughout, and a preset bank you can browse by ear without reaching for the gain.
| Formats | VST3 · AU · Standalone |
|---|---|
| Systems | macOS · Windows · Linux |
| Version | v1.1.1 · 2026-07-19 |
Saturation and cabinets
Ten saturation models with ten transfer curves — not one curve at ten different gains — plus cabinets, mid-side processing and oversampling whose alias rejection was measured rather than assumed. Open sourced in 2025.
| Formats | VST3 · AU · LV2 |
|---|---|
| Systems | macOS · Windows · Linux |
| Version | In development |
Software for performing and broadcasting, alongside the instruments.
Live visuals
A live, audio-reactive visualiser for performance: eighteen generated looks driven by the music, controlled over MIDI, OSC or a web surface. Runs on a laptop or headless on a board small enough to live inside an instrument.
MIDI controller for macOS
A virtual keyboard and control-surface builder. Play from the computer keyboard or mouse, build custom controls, then route everything through an arpeggiator, chord engine, quantiser or scale filter before it reaches the DAW.
Generative soundscapes
Water, sea, rain, wind, fire and birdsong, modelled rather than looped, so nothing ever repeats. Runs in a browser tab with no samples and no network.
Streaming server
A broadcast server for internet radio: audio and video, Icecast-compatible, with live ingest, transcoding, relaying, an AutoDJ and an admin interface. One binary, deployed in minutes.
Open boards and transports for instruments that stand on their own, without a computer in the signal path.
Multichannel audio transport
Up to 64 channels of 32-bit audio, plus MIDI and control data, down a single twisted pair. Daisy-chainable, self-clocking and deterministic, built from parts that cost a couple of euros rather than proprietary silicon — for distributed instruments, multi-speaker installations and modular systems that need to stay in sample lock.
Expressive keyboard
A multitouch MPE keyboard on a seven-inch panel: two rows of keys with snap-to-pitch, glide, slide and pressure, streaming RTP-MIDI and OSC over wifi to anything on the network. The touch layer runs at 250 Hz so expression tracks the finger rather than the frame rate.
Physical modelling, analogue and tape emulation, studio-standard networking, embedded DSP — and a measurement pass behind every release.